The Kingdom not of this world

I listened to the Honest Man’s podcast’s recent episode, Vedic Pornography, with special guest Madhavananda Das, a senior Hare Krishna devotee who lives in Jagannath Puri, India. The topic of the podcast was specifically on the role that erotic art plays in the temple architecture of India. However, that is peripheral to what I want to talk about here. Specifically I would like to discuss Madhavananda Prabhu’s point concerning the Linga Purana. As a quick summary, the Puranas are Hindu scriptures that generally tell of divine and human histories, often from the point of view of a particular god. I have referred extensively on this blog to the Bhagavata Purana or Srimad Bhagavatam, which tells the story of Krishna and related avatars. While the Srimad Bhagavatam states that Krishna or Vishnu is the supreme Deity, other puranas state that their respective subjects are the supreme Deities. So the Devi Purana thus thinks that Durga or Devi is the Supreme Goddess out of who emerges all other manifestations of divinity. The Linga Purana is one of the puranas devoted to Lord Shiva, and not only does it state that Shiva is the Supreme Deity, but also that Vishnu doesn’t even exist. He is merely a dream of Shiva.

On mercy and conversion

One theme that has been persistent in my years of writing is how much I hate the modern idea of conversion. Especially in the digital age, everyone thinks their conversion to or from one thing to the other is some Earth-shaking event pregnant with metaphysical meaning. It’s as if their change of heart redefines the cosmos. I for one think that very few people’s conversions are as meaningful or edifying as what was documented in St. Augustine’s Confessions, or even of the caliber what was documented in John Henry Newman’s (not calling him “Saint” sorry) Apologia Pro Vita Sua. Most people who loudly proclaim their conversion have a long way to go in my opinion, and it shows. I don’t have anyone particular in mind; it’s more a general observation.

On universalism again

The summer has been busy so keeping up with blog posts has been difficult. In June, the Church Life Journal published Taylor Ross’s reflection on Origen’s doctrine of salvation in The Severity of Universal Salvation. Here the premise is that the doctrine of universal salvation is far from a “walk in the park,” that the process of purification by which a soul is ready to go back to God is difficult and, more often than not, very long. Ross writes:

It should not require a theological treatise, much less the anxious methods of psychoanalysis, to recognize that the human will is capable of a seemingly endless charade of avoidance. Origen infamously entertained a seemingly endless proliferation of ages because he knew, presumably firsthand, that very often the soul would rather journey on with its false attachments than be transfigured. So, if he countenanced the idea of a God patient enough to make time for fallen creatures to willingly repent, it is because Origen knew, presumably firsthand, that there is no shortcut to reformed desire.

Escaping the material world

Materialism is mistaking your own limited ideas of reality gathered from the senses for reality itself. In reading the Srimad Bhagavatam, Srila Prabhupada comments the following concerning contemplating the Universal Form of the Lord (virat rupa):

Some of them think that to hear about the pastimes of the Lord means to hear about His activities with the gopīs or about His pastimes like lifting the Govardhana Hill, and they have nothing to do with the Lord’s plenary expansions as the puruṣāvatāras and Their pastimes of the creation, maintenance or annihilation of the material worlds. But a pure devotee knows that there is no difference between the pastimes of the Lord, either in rāsa-līlā or in creation, maintenance or destruction of the material world. Rather, the descriptions of such activities of the Lord as the puruṣāvatāras are specifically meant for persons who are in the clutches of the external energy. Topics like the rāsa-līlā are meant for the liberated souls and not for the conditioned souls. The conditioned souls, therefore, must hear with appreciation and devotion the Lord’s pastimes in relationship with the external energy, and such acts are as good as the hearing of rāsa-līlā in the liberated stage. A conditioned soul should not imitate the activities of liberated souls. Lord Śrī Caitanya never indulged in hearing the rāsa-līlā with ordinary men.

In the Śrīmad-Bhāgavatam, the science of God, the first nine cantos prepare the ground for hearing the Tenth Canto. This will be further explained in the last chapter of this canto. In the Third Canto it will be more explicit. A pure devotee of the Lord, therefore, must begin reading or hearing Śrīmad-Bhāgavatam from the very beginning, and not from the Tenth Canto. We have several times been requested by some so-called devotees to take up the Tenth Canto immediately, but we have refrained from such an action because we wish to present Śrīmad-Bhāgavatam as the science of Godhead and not as a sensuous understanding for the conditioned souls. This is forbidden by such authorities as Śrī Brahmājī. By reading and hearing Śrīmad-Bhāgavatam as a scientific presentation, the conditioned souls will gradually be promoted to the higher status of transcendental knowledge after being freed from the illusory energy based on sense enjoyment.

Hellish thoughts – Part II

The Srimad Bhagavatam is the 18,000 verse story of Krishna, or rather, the story of all reality in relation to Krishna. The fifth of the twelve cantos is noted for its mathematical outline of the material universe, and the last part of that canto describes the lower planets, or what would be considered Hell in the Western monotheistic religions. Here is an example of the punishments described in this canto:

By the arrangement of the Supreme Lord, low-grade living beings like bugs and mosquitoes suck the blood of human beings and other animals. Such insignificant creatures are unaware that their bites are painful to the human being. However, first-class human beings — brāhmaṇas, kṣatriyas and vaiśyas — are developed in consciousness, and therefore they know how painful it is to be killed. A human being endowed with knowledge certainly commits sin if he kills or torments insignificant creatures, who have no discrimination. The Supreme Lord punishes such a man by putting him into the hell known as Andhakūpa, where he is attacked by all the birds and beasts, reptiles, mosquitoes, lice, worms, flies, and any other creatures he tormented during his life. They attack him from all sides, robbing him of the pleasure of sleep. Unable to rest, he constantly wanders about in the darkness. Thus in Andhakūpa his suffering is just like that of a creature in the lower species.

Hellish thoughts – Part 1

The above video is of yet another intelligent Catholic thinker fumbling through the idea of the eternity of Hell for condemned souls. Admittedly, she is very honest in stating that she doesn’t really know how a soul can condemn itself to the worst pain and loss imaginable for all eternity, and how a merciful God can allow this. She does give the standard answers of how hell is a necessary implication of love and free will. If we are to come to love the supreme good definitively, it must be of our own accord, which means we can choose not to love. That this failure to love is accompanied by unspeakable loss and suffering remains a mystery in this line of thinking.

On the spiritual body

Narada Muni (source)

A reader left a comment with a link to an article by David Bentley Hart entitled The Spiritual Was More Substantial Than the Material for the Ancients. Here I will offer a few comments, specifically on the main themes of the corporeal vs. the spiritual body.

On the cycle of the yugas

A reader pointed out two essays in First Things by Russian author, Eugene Vodolazkin, more or less on the themes of time and historical truth. For the most part, these essays suffer from the tendency of literary scholars to divide the world into a series of just-so stories: observations from limited sources that seem to flawlessly explain the long arc of history. So needless to say, I don’t agree with much in these articles. But I do want to draw from them two themes to discuss here, namely, the repetitive nature of past narratives, as well as the progressive concept of time.

In praise of bad marriages

In my intellectual traversing around Hinduism, I encountered the above clip of His Divine Grace A.C. Bhaktivedanta Swami Prabhupada [Founder of the International Society of Krishna Consciousness (ISKCON), popularly known as the Hare Krishnas] speaking of his former married life. Prabhupada left his family once his children were grown to become a sannyasi, or renounced monk, but his marriage was apparently not a happy one. In this clip, Srila Prabhupada speaks about how as a young man, he went to his father to complain that he didn’t like his wife. At that time, marriage to more than one woman was permitted in colonial India, and the insinuation was that he was asking what his father would think if he were to take another wife. Instead of giving the blessing to take another wife, the father told his son that he was most fortunate not to like his wife. For by having a wife he didn’t like, it would be easier to leave her aside and go back to Godhead (that is, Krishna). We all have to give up what we love in this life sooner or later, and loving your wife less would mean that leaving her would be easier.

Guru-puja

As a follow-up to my review of Ram Dass’ Be Love Now, I decided to get a documentary on Krishna Das named after his first album, One Track Heart. To refresh your memory, Krishna Das is a major figure in the circle of followers of Neem Karoli Baba, an Indian religious figure who helped bring a certain popular brand of Hinduism to the West. Krishna Das’ path to following his guru goes through music, specifically kirtan. Kirtan is congregational singing of mantras made popular in the United States in particular through its performance in yoga studios and similar venues. Indeed, Krishna Das is known as the “king of kirtan”, providing the popular soundtrack to the yoga craze that has taken over the West in the last 20 years.