On the margins of theology – X

24 06 2010

The Horseman of Divine Providence (Conclusion)

Pues bien: la iglesia, como institución, está en el mismo caso. Yo le pediría que no trataran de institucionalizar a Malverde; es un santón y un héroe del pueblo; no traten de arrebatárselo de las manos; la realidad es que está allí, la gente lo quiere, le tiene y lo más maravilloso es que hace milagros.

(The Church, as an institution, is in the same boat. I would ask that they try not to institutionalize Malverde. He is folk saint and a hero of the people, they should not try to take him from them. The reality is that he is around, the people like him, they keep him, and most marvelous thing of all is that he works miracles.)

These are the words Óscar Liera puts on the lips of a doctor in his play, El Jinete de la Divina Providencia. The subject of the 1980’s Mexican play is a fictional ecclesiastical investigation of the miracles of Jesus Malverde, the deceased bandit who works miracles from beyond the grave. In this special ten part series regarding the prevalence of “popular Catholicism” in many societies, I thought it a good quote to tie many ideas together. Here, there is not so much a stark opposition between institution and spontaneity, high and low religiosity, but a juxtaposition of what emerges in the life of believers and the rules imposed from above. In other words, we speak here not of an exclusive situation, but of a complementary one. That which is in the margins of religiosity is just as important as officially sanctioned doctrine and praxis, though it is not necessarily superior to it.
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