A review and reflection on the film
The above is the trailer. The whole film can be watched here. You gringos got lucky, because this one has subtitles.
It is best to start at the beginning. Around the beginning of last century, a child was born in Guanajuato, Mexico, by the name of José Fidencio Sintora Constantino. He was orphaned and came of age amidst the turmoil of the Mexican Revolution and its aftermath. Unlike most Mexican young men, he seems to have been committed to domestic service rather than field work. It also seems that he was afflicted with Kleinfelter’s syndrome, meaning that his sex organs were underdeveloped and he seemed to be perpetually a boy (niño), without facial hair or a deep voice. In the early 1920′s, he would settle in the northern state of Nuevo Leon, in a small railroad town known as Espinazo.
Like a select few, Fidencio was thought to have el don. That means that he had the power to cure using traditional healing methods. Literally, it is a “gift”. But Fidencio’s gift was something extraordinary, something that comes along only every so many generations. From his humble beginnings as a local curandero, he became a national phenomenon. Apparently, he could cure anything using nothing but herbs, prayers, and in extraordinary circumstances, surgeries with a piece of glass (without anaesthetic). His fame grew to the point that the urban legend spread (not based on any facts, but still) that he cured the radically anti-clericalist president of Mexico, Plutarco Elias Calles, of leprosy. Some say that in exchange for his cure, Calles was asked to cease his radical persecution of the Church, which subsequently happened. To the people of the time, and in his legacy, he was given the name, el Niño Fidencio, or the Child Fidencio, even though he lived to forty years of age.
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